烏鎮在夢
照片可以有幾通透，在於其可以有幾暗。
反之亦然？或許吧
這裏，通透不指光，是光的痕跡。攝影是玩光和被光玩的過程，追隨光和它的蹤跡是攝影的全部。蹤跡，便是光落下的地方。
如果光是仙子，那麽其蹤跡便是仙蹤，理應美好。
暗，是灰，灰不是黑，黑可以是灰，灰永遠只是灰，九九度灰仍是灰，黑是光的盡頭，數字上分析黑是Lab 0或RGB 255*3。
當然，光也就不是白了，光亦只是灰，淺灰，一種在腦子裏向著白的灰表示了光的蹤跡。
臉上的光是仙蹤嗎？不，那只是臉
仙蹤？在焦外， The Bokeh
沒有仙蹤的照片可以是成功的作品，但一定不是極致的。
為何經典的德國鏡頭拍出來的照片被世人賦予玄學級的尊崇？油，一種獨有的油潤感令照片仙氣十足。真的嗎？真的，但求不得。
Dark light
How bright a photo can be is how dark it can be.
Vice versa? Maybe
Here, bright does not refer to light, but is a trace of light. Photography is the process of playing with light and being played by light. Following light and its trail is all about photography. The trail is where the light falls.
If the light is a fairy, the light's trace is a fairy tail, should be beautiful.
Dark is gray, gray isn't black, black can be gray, gray is always gray, ninety-nine shades gray is still gray, the black is the end of light. The black is Lab 0 or RGB 255 * 3.
Of course, the light isn't white, is gray, light gray, toward the white.
Is it fairy tail when the light on the face? No, that's just the face.
What is the photos' Fairy tail ? Out of focus, the Bokeh is
Photos without a trace can be successful works, but they must not be extreme.